Showing posts with label History. Show all posts
Showing posts with label History. Show all posts

Tuesday, October 30, 2012

A History of Tartan




Tartan is associated the world over with the kilt, the national dress of Scotland, and the history of both goes hand in hand. Tartan is a material that can be woven from many colours, and originally it was a sort of 'uniform', the distinguishing feature of the many clans in the Highlands and islands of Scotland. Although there are various forms of tartan or clan 'uniforms', so to speak, throughout the world, the origins of the clans of Scotland and their distinctive tartan dress can be traced as far back as the middle of the 5th Century to Ireland, where the Scots originated. And to this day, these origins are still wrapped in debate and controversy.





The OriginsTartan did indeed originate in Ireland, and it was then introduced to the then unnamed country of Scotland by the Scots, who moved from Ireland to re-found their ancient kingdom, Dalriada. It was they who gave Scotland its name. The very first form of tartan is nothing like its modern day counterpart, being a type of shirt that ended just above the knee, known as l茅ine in Irish Gaelic. It is generally accepted that it was made of linen, and although the earliest references to this garment describe it as light-coloured, it may have been of a darker yellow shade which led to the English describing it as a saffron shirt. In the 16th Century there are many descriptions of the l茅ine and comments made by a French visitor to the country in 1556 are typical:





They wear no clothes except their dyed shirts and light woollen coverings of several colours. This suggests the first attempts at making a distinctive pattern with the material of the coverings - the plaid. However, there is no evidence to suggest that after this time, the Scottish Gaels carried on the Irish practice of making the l茅ine with these stripes.





In later times, coloured stripes were incorporated into the l茅ine to indicate the rank of the wearer; the first attempts at what is now known as tartan. A High King wore seven stripes, one of these being purple - the colour of royalty. The Ollamh (chief man of learning) wore six on his (even then, learning and scholarship was held in very high regard.) However, the shirt gradually went out of use in favour of the plaid. In 1645, at the Battle of Kilsyth, Montrose instructed his men to put away their plaids and to tie the ends of their shirts between their legs. But the men who weren't Irish or didn't wear the shirt as a result of the ruin of the Irish linen trade, had no choice but to wear their plaids. And wool, which before had been a rare commodity in the Highlands, was now becoming abundant thanks to the growing number of sheep herds in the land. And so, the plaid grew from being little better than a rug to a long piece of material between 12 and 15 feet in length, which the Highlanders would pleat round their waists in folds, pull over their heads like a hood and use as a blanket at night. Although the l茅ine was still in use, it was now used as a covering for the upper body while the plaid was used for the lower half.





Evolution and WearThe earliest portraits of men wearing the plaid, held in place by a belt show it to hang as low as the l茅ine, to just above the knee. However, when William Sacheverell came to recover stores from the sunken Armada ship in Tobermory Bay in 1688, he found that only a minimum of the plaid was being worn below the belt:





It is loose and flowing like the mantles our painters give their heroes. Their thighs are bare, with brawny muscles. The remainder of the material was brought over the shoulders and then fastened with a brooch. Upon seeing this very unique type of dress, many visitors commented on the decency of the shortness of the lower half of the garment, especially when the wearer had to bend over and especially on a windy day!





Growing PopularityBy 1730 the patterns had evolved from simple stripes and patterns into what today would be called tartan, from the French word tartaine. And even royalty were getting in on the act. By 1538, records showed that James IV had learnt Gaelic and his son, James V, adopted a variation of the highland dress, wearing a short Highland jacket made of velvet, tartan 'trews', and the l茅ine. The phrase 'Heland tertane to be hoiss' refers to a kind of tight trousers, or hose, a pair of which survives to this day. However, although the dress of the average Scot seems to have been standardised by then, the sett (the pattern of the tartan) of each clan was not; subtle variations of the same clan tartan were still to be found.





Setts and StandardisationAround the year 1618, evidence suggests that the setts became standardised. This became necessary as more often than not, a particular pattern would be identified as the tartan of the predominant clan of a local area, much to the annoyance and inconvenience of other clans in the locality. In 1703, Martin Martin commented on the skill of the weaver:





The Plad wore only by the men is made of fine wool, the thread as fine as can be made of that required in sorting the colours, so as to be agreeable to the nicest fancy. For this reason the women are at great pains, first to give an exact pattern of the Plade upon a piece of wood, having the number of every thread of the stripe on it. Every isle differs from each other in their fancy of making Plaids, as to the stripes in breadth and colours. After the defeat of the Jacobites at Culloden, the English Army routed the Highlands, destroying the Highlanders' way of life. In particular, to keep the people oppressed, clan tartans and dress were banned, and so the cloth-making equipment, including sett-sticks, was destroyed. But even at their lowest ebb, the Highlanders still rebelled, albeit in a far muted way, by wearing trousers of their tartan, subtly woven. Sir Walter Scott believed that the enthusiasm for tartan, a sign of rebellion also in the Lowlands, came from the common hatred of the Union of Parliaments with England. Incidentally, his own works had played a powerful part in extending this fashion of Lowlanders wearing tartan, further helped by the state visit of George IV in 1822.





Although nobody remarked on the traditions of the various plaids and tartans, this may not be true in all cases. For example, the island of Islay's annual rent to the Crown consisted of 60 ells of black, white and green cloth. Incidentally, the island's population consisted of the clan Maclean, whose tartan, the Hunting Maclean, is of these colours. On the other hand, Sir Ludovic Grant of Grant in the early 1700s ordered his tenants to wear Highland dress made of red and green tartan, 'set broad-springed'. Again, these are the main colours of the Grant tartan, but even after Sir Ludovic Grant's orders almost a dozen family portraits at the time of his son show that not even his family adhered to his attempt at standardisation.





Modern-day WearIn 1730, the modern-day kilt evolved - originally worn by an Englishman! Thomas Rawlinson, who conducted iron smelting at Glengarry wore Highland dress in the traditional manner, but found it inconvenient in that he could not remove the upper half of the plaid without having to totally disrobe the whole garment. So he set about dividing it into two halves, which then enabled him to tailor the lower part into what is now the kilt we all know and recognise. It was subsequently adopted by the Chief of Glengarry, Iain MacDonnell and was soon followed by others. The fact that it was an Englishman who invented the modern kilt has been a very bitter pill for most Scots to swallow, but there is compensation in the fact that he didn't invent it; he only made a very convenient improvement that maybe only a foreigner Avondjurken 2012 would pick up on.





Subsequently, it was called the f茅ileadh beag (little plaid) to differentiate it from the traditional plaid, the f茅ileadh bhreacain. It comes from the Gaelic word breacan (party-coloured cloth), and at that time its forbidden use was used for a rallying symbol in an outburst of indignation. When the ban was lifted, a wave of celebration and enthusiasm swept over the country, which gave an instant and resounding celebrity to the achievement of generations of Highland women who had woven the cloth over Vintage Trouwjurk the years. These simple designs that had started on humble handlooms, which put a bit Avondjurken 2012 of warmth and colour into the lives of many in these cold and chilly lands, were subsequently adopted by the Lowland Scots, who were more apt to wear English fashions. The Lowlanders manufactured the cloth by machinery, which led to more widespread wear and the raised status of Scotland's most colourful emblems.





Since these days, tartan has extended beyond the simple, original reason of clan identity. Queen Victoria herself had a tartan, the Johore, commissioned, while native clans such as Currie and MacCrimmon who have every right to have their own tartan, were for a time overlooked. The same happened in the Lowlands; the Armstrongs and the Turnbulls are both native border clans but the latter having no tartan to call their own. Nowadays, everyone gets in on the act - football teams, even countries have commissioned their own tartan, but nobody can argue that all this merely helps to emphasise the importance and emotion that the people of Scotland attach to tartan and the sense of kinship also, which has been an integral part of Scottish culture ever since the first Scots of Dalriada came to these shores.


Wednesday, October 24, 2012

A History of the World




This wedding dress was designed and made during World A-lijn Avondjurken War II. The owner, Lilian Sims, used up all her clothing rations to buy the material from Romford split voor Prom Dresses market. With the help of a friend, she stitched and embroidered the dress with glass beads during the blackout. Lilian and Dick Sims were married in 1942 whilst Dick was on embarkation leave from the Royal Artillery. They had just Trouwjurken 2013 three weeks to make all the preparations. The dress was loaned to at least three others brides during the war. It is now part of the costume collection at Vestry House Museum.





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Tuesday, October 23, 2012

A History Of The Dress




As long as humans have been on earth, dresses have existed in some form or fashion. Though the centuries they have evolved from simple scraps of cloth to little black dresses, cocktail dresses, gowns and more in styles that vary from subdued to ornate and affordable to expensive.





By definition, a dress is a garment made in a single piece that is commonly worn by women and girls. They are worn as an acceptable and usually fashionable alternative to two-piece ensembles including a skirt and a shirt.





Dresses in the most modern sense began to be split voor Prom Dresses seen in society in the 1800s, featuring crinoline, hoop skirts and a bodice. During the day women wore dresses that included a high neckline, long sleeves and a skirt that went all the way to the floor. During the evening, women were allowed to wear shorter sleeves and a neckline that showed more of the neck and, after the Victorian era, even cleavage. Throughout this entire period of history, and up until the 1920s, dresses were no shorter than a woman's ankle.





During the 1920s, flapper-style dresses came into style and brought the article of clothing into a new and modern era. While some dresses stayed long, others began creeping up the leg as far as the knee. Dresses also began featuring totally sleeveless styles and ornamentation such as fringe and sequins. During the 1930s and 1940s dresses began to slowly lose some of the "shock value" appeal from the flapper era and Vintage Trouwjurk took on a more classic style featuring clean lines and skirts of varying lengths. Many featured cap sleeves as well. The "little black dress," which began showing up in the 1920s, began to rise in popularity even more throughout the 1930s and 1940s.





The 1950s brought about a swing style of dresses, with full skirts that women could wear and swish around while dancing. Halter-top dresses also made a Korte Cocktailjurken brief rise in popularity during this period. Throughout the 1960s a more mod style of dress took over women everywhere. Styles ranged from knee length to miniskirt length, both with and without sleeves and in a myriad of bright colors.





The maxi dress, which is the name for a flowing gown that reaches the floor, came about in the 1970s. It was a more Earth-mother style that appealed to younger women during the time. Conversely, the 1970s also brought about flashy dresses, usually shorter, that were worn during the days of disco.





Styles in the 1980s featured ornamentation such as ruffles, feathers, fringe and puffy skirts. Color and pattern were key in the 1980s, and into the 1990s, as women began expressing themselves with polka dots, stripes and even neon colors in some cases.





Throughout the 1990s and into the 2000s, styles have become more of a "mash-up" of all of the various trends throughout time. Today, dresses are available in any size, shape, color or style, and that is why women love them so much. They are now a fashion-forward choice that lends versatility to a woman's wardrobe, and she can spend anywhere from a few dollars on a design to thousands on a haute couture creation.